Float frames

Some samples of "float" frames.

Another Painting

And, another painting that needs a little something to the frame.

More trees

How exciting, more trees!

A close up of the tree from yesterday showing its scabrous bark. It appears to be a brand of Oak.

Painting ReDo

I've done a little more work to this painting, and changed its title: "What?" This was prompted by some thoughtful and sincere critiques from friends and relations. Of course, being the decider, I decided Shrek was more appropriate than the "Mother Ship" from Close Encounters.

Diseased Tree?

The morning walk sometimes takes us past this tree. From that first limb on the left, almost to the top of the photo, there are strange growths, burls, accretions. iPhoneography; maybe I should take a "real" camera next time. I should also try and figure out the species. I would be very curious to see what the wood looks like.

Another painting

 

Another painting and frame, though this is not completely done, as the frame is a tad too bright; I need to tone it down, and make it more matte. Egg tempera on panel, with a basswood frame, carved and aluminum leaf gilt. 

Painting based on an older watercolor. I'm very pleased with this version.This is darker, more brooding, with much removed; a minimalist version. Edward Hopper called this "cannibalizing".

I think of it as just part of the process, especially if I feel the earlier version could be improved upon.

If you've come here from my main site, you'll notice the frame is quite different. Other versions. Here. And again,

Painting with frame. By Me

Painting is egg tempera on a gessoed hardboard panel. All traditional, though I use an air brush for the smoothly graduated sky. Painting is SW Lake Michigan, looking at the dunes with a lowering sun, very loosely based on photographs. I'm trying more for a "feel"and emotion of place than an accurate depiction of place.

Frame is butt joined basswood, with floating mortise and tenon construction. (Biscuits). The shape was done with a bandsaw, including cutting the "rays", then carved. The bottom has had an additional 3/8 of an inch extra laminated on, as it was unbalanced at first. Feels better now. Gesso, acrylic color as a base coat, shellac, metal leaf, shellac and japan colors in VM&P Naphtha, as a wash.

Photo of painting is not the best, but egg tempera is, probably due to it's luminosity, hard to photograph accurately, as are frames ...

Frame is loosely based on, loosely being the operative word, inspired by might be more accurate, by the bottom front frame on the book cover above. It's the only frame of those six not in the book ... ???

Edited 12-13, changed picture for a better version.

Frame Restoration

I haven't talked much of frame restoration, but there was a question about courses in frame restoration on the Grumble, and I thought I should post my reply here. It has always been a part of what I do. I don't do puzzles but I remember spending several hard days piecing back together hundreds and hundreds of broken frame ornaments from an early 19th. c. mirror frame. It was both challenging and enjoyable. Most restorations don't involve a lot of replacement ornaments, as the example above, though quite a few involve regilding.

 "The hard part is gilding and there are classes and workshops offered here and there. Smooth-On and their distributor, Reynolds AM, offer both the materials and knowledge on how to use various casting and molding supplies. There are a few books on frames available now, including this which covers methods. "The Encyclopedia of Picture Framing Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques". There have also been reprints of the two classic books on ornament, "The Encyclopedia of Ornament" and "The Grammar of Ornament". Once there is some feel for the language of ornament, it is possible to reconstruct missing ornaments when there are only fragments left. Basic knowledge of woodworking, carving and some modeling skills are all helpful."

The frame above, showing the bole on some replacement ornaments, prior to water gilding. The frame is from the Albert Milch Co., New York, and is a fine example of the "Art of Framing"; beautifully ornamented and water gilt, with extensive burnishing.

This Day

Abraham Lincoln, by Daniel Chester French, Sculptor

Lincoln Memorial, Washington D.C.

Today, November 19th., in 1863, President Abraham Lincoln delivers his brief remarks, The Gettysburg Address, at the dedication of the National Cemetery in Gettysburg, Pennsylvania.

The "Address" is famous for it's succinct summation of the war.

The battle is controversial as to whether it was the turning point, ( No, Antietam ), or was it the "high-water mark" for the confederacy. ( Yes ). Though the war would bloodily stagger on for almost two more years, it was the last time the confederacy had the men and material to actually win the war, and after Antietam, world opinion seemed unwilling to support slavery, thus losing the political war.

Contrary to Robert E. Lee's "Old War Horse", James Longstreet, I believe Lee had a very good plan, which was why he was willing to take the offensive against a good defensive position. Unfortunately, JEB Stuart, and his troopers, seems to have been "tired" from gallivanting around gathering glory, and were stopped by a ferocious little "Wolverine", George Armstrong Custer, preventing Stuart from getting into the rear of the Union lines. Had he done so, the outcome of the battle may have been far different. There are markers for the "high-water mark", commemorating a Lieutenant Alonzo Cushing, and General Lewis Armisted, who were mortally wounded at the farthest breach of the union lines.

At Gettysburg, Lee and Longstreet seem to have been at "odds", though I think the south has been negligent in it's appreciation for one of Lee's very trusted lieutenants, "Old Pete", "Lee's Old Warhorse", who had his bad days, as do we all. Fairly recently, there has been an Equestrian statue erected at the battle field at Gettysburg; seems it took a while, but better late ...

Fog

This morning, chill, damp and foggy.

Today, in 1864, Arch-villain or war hero, William Tecumseh Sherman begins "The March to the Sea', abandoning his supply lines while in enemy territory, and unusual for that era, a winter campaign.

Civil war reading; about the one year, and selected individuals, including Major Robert Anderson, of Fort Sumter fame, and Colonel Elmer Ellsworth, leader of the New York Fire Zouaves. Ellsworth was the first well known death in the Civil War. In Danville, Illinois, I lived once, on the bluff above the North Fork of the Big Vermilion River, and just down stream from Ellsworth Park. His name has graced much since his early death. Danville is the county seat, and was a part of the law circuit that Abraham Lincoln traveled as a prairie lawyer. Danville is where I developed a taste for reading county histories, variable from all the excitement of the best thriller, to the sleep inducing quality of watching paint dry.

The Morning Dog Walk

Sun up and frost on the leaves, and talk of snow later in the day. Later, a post on one of my current projects; counter tops made from ... bowling alleys.

No Comments

Some Jack-o-lanterns, though Halloween has passed. I got distracted whilst doing the previous post, and failed to mention that I've turned off comments for a variety of reasons, with probably the most important being that a lot of what I write is in the form of brief essays, and are not part of a conversation. If you would like a conversation or have questions, please email me; the link is posted.

Bron

More monochrome, arcane minutiae

The start of a sketch, a riverine landscape, on my drafting table that I use for sketching and painting. I was working with my Pelikan pen, Richard Binder nib, Noodlers ink, on Strathmore plate Bristol, when the gentleman who sold me the pen, called me on my picture viewer to discuss some frames. ( I'm using my iPhone as a picture viewer ) I work from photos, as I have children, dogs, old houses, cats, leaky studios, and old vehicles all requiring some attention, not to mention the occasional customer. Looking forward to when one of the kids gets an iPad, so I can borrow it.

The sketch is where I rough out the general composition, the sweep and flow. This will, if I make a painting from it, will be planar, horizontally, of a plain, undramatic landscape. I seem to enjoy a certain undramatic scene.

Photos are a start; I'm not trying to duplicate the photo, and I often combine elements, as I'm trying for a feeling of place and time, and the emotive qualities of a plain and simple landscape ...  the above may be a touch too dramatic. It's not that I can't be dramatic ... just my best stuff seems of the ordinary.